Female nude, seen from behind
Female nude, seen from behind
The vitality of this 1950 study, with its sweeping and vigorous use of charcoal, is as powerful as any of Dobson's drawings of this time. The concentration on the mass of a figure seated on the floor is very characteristic of the artist.
There is a circular red Japanese type collector's stamp on the backboard, not in Lugt, but also found on works by Muriel Minter and Bernard Meninsky
Dimensions:
1950
Charcoal
Signed and dated
Round red Japanese type collector's stamp, not in Lugt, but also found on works by Muriel Minter and Bernard Meninsky
RELATED ITEMS